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12.29.05 05:38 PM
mariah and others who didn't make the list

This was an interesting year for music. Alternative/Rock and R&B made a comeback in a major way. Not that hip-hop albums didn't warrant mention, it's just that the top selling hip-hop artists this year who also made the Billboard charts happen to have a little pop crossover appeal. Besides, Kanye West
and 50 Cent
's raps nowadays sound a lot more like singing.
But it was definitely Mariah's year. Mariah's The Emancipation Of Mimi has sold 4.8 million copies nationally to date and more than 8 million copies world wide. This places her neck-and-neck with 50 Cent for best selling US album of the year. ("In the latest numbers from Nielsen SoundScan, Carey has sold 4.866 million copies to 50's 4.834 million." MTV.com) 50 Cent and his Massacre received Billboard's Artist of The Year Award. Carey though, proved that 2005 was her year, nabbing 5 Billboard Music Awards, 4 Vibe Awards, and 1 American Music Award, notwithstanding her 8 Grammy nods.
Yet in a few year-end lists, such as Pitchfork's Top 50 albums of 2005 and Popmatters Picks: The Best Music of 2005, Mariah Carey's Emancipation does not appear. That's definitely a problem. How can the most lauded artist of the year, not end up on lists that are supposed to be significant markers of good music?
Both lists do showcase a few crossover rap acts. First there was the usual suspect Kanye West. Then there were two of the best lyricists of the past 10 years Cam'Ron and Common. There was also the underdog Blackalicious
. And dont forget about newcomers The Game and Young Jeezy
but no 50 Cent. I have to admit that The Massacre left something to be desired and perhaps the Get Rich Or Die Tryin' Soundtrack was a much better album. Even Tony Yayo
's album was far more sonically interesting.
These lists, though, tend to tilt more toward rock critics assessment of what makes a good album. And therefore R&B doesn't make the cut, even when it's Mariah Carey. John Legend, another R&B heavyweight this year, also didn't make these popular year-end music lists.
As for the rap/hip-hop selections that do make the cut, they lean more toward a rock critic's sensibilities and listening pleasure, and often it's the material of the genre that has crossover appeal.
But here's another problem with those lists. Swishahouse had a great year. Swishahouse was the best thing that happened to hip-hop in 2005. Yet Swishahouse artists did not make the list. Houston, in general, has become the home of hip-hop lately with everyone who wants to make a hit collaborating with Slim Thug, Bun B
, or Paul Wall
.
Swishahouse rappers Mike Jones, Paul Wall, and Slim Thug, made major contributions to top hip-hop and pop singles this year. Mike Jones, "Still Tippin'," was one of the most popular hip-hop songs and ringtones of the year. His album, Who Is Mike Jones? has sold over 1 million copies. Slim Thug's Already Platinum has sold more than 500,000 copies, and Paul Wall's The Peoples Champ debuted at No. 1 with 176,000 copies sold in the United States. Lil' Flip may not have had major-label releases in 2005, but his heavy mixtape circuit activity should be a boon to his Feb. '06 release. And Houston veteran, Bun B's Trill, debuted at no. 6 on Billboard, while newcomer Chamillionaire
capitlized off the H-Town movement with The Sound Of Revenge debuting real big.
Overall 2005, saw some of the most diverse music offerings released. In the case of Reggae and aslo Reggaeton, that hardly ever get mentioned on any of these year-end lists, there were some significant firsts.
Sean Paul, who will be rocking in the New Year's on Dick Clark's special, and his album, The Trinity not only received a Grammy nod but also earned the highest ever reggae debut and single week sales for a reggae artist in SoundScan history. A week before Sean Paul earned those honors, a native reggae son, Damian Marley
earned the label as the highest reggae debut. Far from his brother's Ziggy Marley and the Melody Makers Chris Blackwell pop reggae fusion, Jr. Gong's Welcome To Jamrock mixes dancehall, roots, blues, r&b, and hip-hop. It is definitely one of 2005's winners, if only for its summer anthem.
As for Reggaeton, Don Omar, Daddy Yankee
, and Tego Calderon
's major label deals, will only help to push this genre further into the mainstream. Don Omar's Dale Don Dale, featuring Fabolous and Daddy Yankee's "Rompe" are already playing heavily in mainstream radio and video rotations.
Maybe this year's music wasn't the most exciting, but it was by far the most unique (and as I already said) most diverse, in many years. Since Usher's success in recent years, and the introduction of Ciara and Chris Brown, R&B is once again a recognized and important genre. Hip-hop continues to widen its net, bringing us a larger array of rapping and production styles, especially from the midwest and dirty south. And world music, usually far more popular with adults, is becoming equally as relevant to today's youth.
I just wish that when some of these year-end lists are published that the top 10s reflect just how varied America's music is.
Notable Links:
- ΐ la Chart: Use both hands and both ears to sample 2005's auditory offerings, By Sam Chennault, Miami New Times
- A Rap Tale of 2 Cities and 2 Stars, By Kelefa Sanneh, New York Times
- Bay Area's embarrassment of musical talent makes for stunning selection of CDs for 2005, By Aidin Vaziri, SFGate
- Houston rap goes mainstream in 2005, KRIS TV
- The top 10 albums of 2005, By Chris Macias, Sacramento Bee
- Diversity elevates 2005's top 10 albums, By Michael D. Clark, Houston Chronicle
In Blogs:
- Jason Toney's The Big Post Of Life Lists 2005: The Singles & The Big Post Of Life Lists (2005): 12 After 12
- Straight Bangin's Albums Of The Year
- lemon red's pazzy joplington
- dub dot dash's indulge me
- Jeff Chang's 2005 :: The Year Crack Rap Broke Again
- Goverment Names Best of 2005 MP3s
- kitty power's Music Makes Me High: Roundup Part 1
- Michaelangelo Matos' Your Pazz & Jop Ballot has been entered
- Oliver Wang's 2005 Musical Rewind & Best Songs of 2005
- Notes From A Different Kitchen's Running More Year End Lists
posted by lynne | link to this |
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Comments
"I just wish that when some of these year-end lists are published that the top 10s reflect just how varied America's music is."
Agreed. Faces of color (as opposed to cariactures) remain at the bottom of the well or in this case the discount cd heap. I dislike year-end lists. They are not reflections of US (and I mean that in the sense of the United States' diverse demographics) but spotlights on specific communities and their perceivved aesthetic achievements. That these lists pretend, inexplicitly and audaciously (privilege is as privelege does), to be exhaustive and/or universal is the steel toed kicker that wrenches my gut.
posted by jalylah | December 29, 2005 9:47 PM #
I just realized I forgot to mention Juelz in this post. Though his album came out later in the year, the mixtape work he put in all year was awesome. I think he's one of the most underated rappers. Well underated by the mainstream, 'cuz real hip-hop loves dude.
posted by lynne
| December 29, 2005 10:40 PM #
>"'cuz real hip-hop loves dude."
Does it really? I know a lot of people who I'd consider "real" hip-hop heads who don't like Juelz. He's playful and audacious, but I feel as though his following owes to personality as opposed to strong mic work. And that doesn't sustain an interest in him for many. The guy is a mediocre rapper who isn't witty or lyrical enough to really simulate that infectious Cam'ron style. (Now Cam is a dude who hip-hoppers love.) And on top of that, some of the supposed risks that Juelz takes with his beats strike me as being contrived and far from inspired, unlike Cam making his "Reasons" rip off work, or even Kanye putting out a sonic collage like "We Major."
If anything, Juelz's popularity--especially among those who love these internets--seems like the ultimate manifestation of hip-hop earning coverage and praise on a rock critic's terms. Santana is a caricature who, it seems to me, is praised by the rock-critic set with a disingenuous fascination, as though he were an alien whose music and personna were fascinating because they were different. There's nothing wrong with appreciating difference--don't get it twisted. But honestly, does his music warrant the coverage he receives, or are people sort of laughing at him while laughing with him? Spitting about the drug game is only interesting for so long, you know?
I hope that this doesn't sound nasty or confrontational, Lynne. I responded because This was a great post. You're incredibly expressive and thorough; it puts some other writing (like mine) to shame. You're also far more diplomatic and far less of a hater. Kudos.
posted by Joey | December 30, 2005 10:05 AM #
I'm completely shocked that critics are sleeping on the emancipation of mimi. To me, it is the album of the year. Outside of the weak Nelly track, Mimi is so solid from production to performance and is easily the most listenable album of the year. For all the Kanye love, I think critically he's significant as much for his personality as he is for his artistry. And that's not a slight on Late Registration but it's uneven. The highs are exceptional but the lows are just as striking.
And if I really had to think about hiphop this year, outside of the common album which has some of my favorite songs of the year on it, Slim Thug to me is the big story. Juelz's style is gimmicky and doesn't feel long lasting and I just don't get the Young Jeezy love but Slim Thug? Every time I hear him on a track he's killing it. I slept on that album all year but checked my itunes and realized how many remixes and guest raps of his I was bumping regularly and picked up Already Platinum recently. So so solid.
Distinctive and talented. If he grows and adapts and doesn't get caught up, he has the skills for the long haul.
And to talk about music in general, I think the rise of the legal digital download has changed the game forever. Diversity of user playlists will necessitate critics changing their style. The # of people buying songs cross-genre is growing and will only increase exponentially in the new year.
posted by Jason T.
| December 30, 2005 2:43 PM #
BTW, thanks for the lovely link love, Lynne. (Alliteration!)
posted by Joey | January 3, 2006 12:36 PM #
Any "Best Of 2005" list of popular music that excludes Mimi is suspect to me. Not only is the production pristeen but the artist's story (rise, fall, rise) is one that epitomizes "best".
I can certainly understand that there are people who cannot stand Mariah Carey. But these megalists should reflect accomplishment over personal taste when it comes to the word "Best".
For that reason, I title my list as my favorite music of the year.
posted by j. brotherlove
| January 3, 2006 4:08 PM #