Lynne d Johnson



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09.07.07 06:14 PM

Call for Papers: 2008 Pop Conference at Experience Music Project

It's been a while since I've done this one. I think I'm submitting a proposal this year. And it's not just for academics and journalists either, if you're a blogger or music enthusiast -- who writes about music in any form or fashion -- you should get down with this.


Shake, Rattle: Music, Conflict, and Change

April 10-13, 2008, Seattle, Washington

How does music resist, negate, struggle? Can pop music intensify vital confrontations, as well as ameliorating and concealing them? What happens when people are angry and silly love songs aren't enough? The migrations and global flows of peoples and cultures; the imbalanced struggles between groups, classes, and nations: what has music’s role been in these ongoing dramas? We invite presentations on any era, sound, or geographic region. Topics might include:

--In conjunction with the new EMP exhibit, American Sabor: Latinos in U.S. Popular Music, how Latino musics have shaped the American soundscape and challenge black and white rock-pop paradigms, or more broadly, the unsettling effects of immigration, internal migration, displacement, assimilation, and colonization.

--How music enters politics: social movements and activist responses to crises such as New Orleans; entertainment's connection to ideology and propaganda; music within "cultural policy" and as part of the public sphere; debates over copyright, corporate power, and cultural democracy; performing dissent

--Social and musical fragmentation: segregation and constructions of whiteness, divisions of class and gender, versus musical categorization and niche marketing, from big genres to smaller forms such as "freak folk"

--"Revolution" as a recurrent theme in popular music, a social or technological reality it confronts, or an association with particular genres and decades of music.

--Clashes between communal, local, identity -- tradition, faith, nativism -- and cosmopolitan, global, modernization

--Music in times of war, economic crisis, adolescence, and other intense stress

--Agents of change: tipping points, latent historical shifts, carnivalesque subversions, and accidents or failures of consequence

--The sound of combative pop: what sets it apart?

Send proposals to Eric Weisbard at by December 17, 2007; please keep them to 250 words and a 50 word bio. Full panel proposals, bilingual submissions, and unusual approaches are welcome. For questions, contact the organizer or program committee members: Joshua Clover (UC Davis), Kandia Crazy Horse (editor, Rip it Up: The Black Experience in Rock 'n' Roll ), Simon Frith (University of Edinburgh) Holly George-Warren (author, Public Cowboy No. 1: The Life and Times of Gene Autry), Michelle Habell-Pallan (University of Washington), Michele Myers (KEXP), Ann Powers (LA Times), Joe Schloss (NYU), RJ Smith (Los Angeles magazine), Ned Sublette (author, Cuba and its Music), and Sam Vance (EMP).

The Pop Conference at EMP, now in its seventh year, joins academics, critics, writers of all kinds, and performers in a rare common discussion. The conference is sponsored by the Seattle Partnership for American Popular Music (Experience Music Project, the University of Washington School of Music, and KEXP 90.3 FM), through a grant from the Allen Foundation for Music. For more, go to

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